bart skils returns to drumcode with his third solo release, shadowprint. consisting of barts famous rolling drums and bass rhythms he has crafted an ep that is exceptionally functional. with each track bart has added character by introducing vocals, interesting melodies and deep percussion to keep it interesting. the ep is made up of 3 peak time tracks that are eloquently put together. my part of town is a bit deeper from bart and contrast s well to the rest of the ep with it s melodic bass line

vasista, the first track of leskin�s ep is a pure analog techno weapon. it�s a vigorous rhythm makes of this track a proper dancefloor killer. its major asset is probably the break�s trick that offer leskin and which leaves no one indifferent at first listen. with monkey track ii , leskin if taking us on a dreamlike deep journey. half fanciful, half raw, the result of this combination is a captivating track! on the b side, the last track of the ep is a remix by � el pingon � (no one but greg beato himself). el pingon has captivated the essence of the original track and brings a hint of jungle and sprinkle drum&bass. the signature mysterious broken beats and blurry sound effects close this track with sublime class

raw dj tool rhythm tracks & droning, atmospheric techno.

tiagos interzona 13 label has quietly gone about its business across three acclaimed and sold-out eps. his unique reputation as a dj is matched by the distinctive and unrivaled quality of his productions. for his fourth outing tiago treads an arguably more experimental path, and using sem titulo (untitled in portuguese) on three of the cuts here only adds to the mysterious nature of the sonic treats within. present, as always are the deft rhythm sections and powerful arrangements, as subtle elements of disco, techno & new wave provide the bedrock for his trademark off kilter melodies and soundscaping. the darker underbelly of club life may well be the inspiration, but the mood and execution are pure tiago! another beauty then from this outstanding, diverse and incomparable imprint.

deep, percussive, musical house from this tidy italian producer.. tip!

khaan started his dj career in 2005. since then, developed through his passion for electronic music, he has been setting high standards on the turntables. in 2007 he decided to start producing his own tracks, much to the joy of his ever growing fan-base. by now his electronic beats can be heard in various releases - *journey to africa* with the label tanzbar musik (including miss jools remix) or *control me* on the *venice ep* from blackrose records, if only to mention a few. further releases with prestigious labels like off, blufin or natural rhythm have proved themselves topsellers. this time khaan got together with alex gori from italy, delivering 2 good tracks for this ep, with a huge amount rhythm, feeling, and groove. for the remix we have no other than sis and zohki & roozlee from viva music, big love to you guys, think you gonna listen.

continuing his prolific run of new material for the label, johannes heil continues to push forward with his >transitions< series, here collecting four more unique tracks for volume 2. opening with the serene calm and krautrock influenced >transition five<, a five minute piece that opens up a rich synth landscape full of space and texture, we then move onto the first of the eps two full-spectrum techno trips. hotly tipped for the summer as an essential festival and open air moment, the powerful and optimistic energy behind >transition six< is hard to ignore. that combined with heils extremely well sculpted and high-end production, the scene is set for madness to ensue� on the flip side we visit more paranoid zones with >transition seven<. building from a minimalistic stuttering rhythm, a soaring sci-fi soundtrack of strings and intricate synth patterns lift the tension, while dramatic sound effects crash and shimmer across the spectrum. this then prepares us for >transition eight<, in which we find johannes working his refined club-sound into yet further directions and angles. at once hypnotising and dominating in its driving bass register and captivating arrangement, a highly charged minimalist club tool for 2014 awaits!

here comes the sun (1971) is an album by jazz singer-pianist nina simone, consisting of cover versions of songs by pop and rock musicians. it features songs recorded in the rca studios with a full orchestra and backing vocals. although simone covers songs by bob dylan and the beatles, among others, most of the versions feature arrangements substantially different from the original recordings. this is most clearly in the final song *my way*, which with its fast pacing rhythm deviates significantly from the usual interpretations. pressing on audiophile 180 gram vinyl.

the one and only eric sneo graces phobiq for the first time with this three-track journey into sleek, chrome-plated techno. the title track has been surgically arranged so that the cavernous percussion and spacious effects can take over the whole track with their immersing strength. the grinding drums in combination with the hypnotic, filtered riff running throughout the track kick things up a notch and ensure maximum overdrive. on *stanch*, snappy drums provide the backdrop for otherworldly hi-hats to pound away while the focus shifts to the immense rhythm section and percussive mayhem. as expected, an apocalyptic breakdown ensues and all hell proceeds to break loose. *interleaved* picks up from there and seals the ep with classic chords that mutate over time together with more sonic manipulation, which ultimately serves as an exhibition of effortless mastery.

esnard boisdur is one of the great voices of gwo ka � the folkloric rhythm of guadeloupe. frankie francis & simbad flip his 1991 track *soufwans* (sufferance) into a groove that combines hypnotic percussion and mournful vocals with detroit-inspired synths and a deep deep bassline. trust us this one is a monster on the dancefloor!

nathan fake and wesley matsell are both producers best known for their releases on border community - nathan fake has been putting out psychedelic permutations on dance music since 2003 for the label, while matsell recently released the blissful total order of being ep for them earlier in 2014. cambria instruments is a new label venture from the pair, and for the first release they have teamed up for a split 12- of kaleidoscopic electronic sounds. nathan fake s contribution black drift starts things off, an initially inauspicious tripping beat gathering momentum and morphing into a far-out piece of fuzzy house underpinned by sunken low-end rumbles. it s the kind of brilliantly wide-eyed track we have come to expect from the producer. over on the flip, wesley matsell s bismuth is a more shadowy, moody affair, a tight techno rhythm holding things together while synths spin wildly. a highly expressive, lysergic trip and one of his finest productions to date. all in all, you couldn t hope for a stronger start from a new label.

the prolific lord of the isles (aka scotlands neil mcdonald) has had a string of stunning 12 inches over the past few years on labels such as permanent vacation, unthank, shevchenko, mule and of course his four track > year of the city ep< on phonica, which was widely acclaimed upon its release in 2012. this time loti presents two long-form tracks, each a mini-masterpiece in itself. the 10 minute plus >greane< bursts into life after an intro of kicks and white noise hi-hats. it continues to slowly build, with pitch-bent synth lines and a pulsing bass-line making way for a melacholic shift in mood. truly original stuff! on the flip, a swirl of synthetic strings introduces �gigha�, in a manner that brings to mind rhythm is rhythm�s legendary �kao-tic harmony�, before the drums and infectious acid-line join in. over the 8 minutes they continue to interweave and play off each other to dazzling effect. artwork by jack featherstone, the designer of a number of sleeves for border community (including the highly praised campaign behind james holden�s �the inheritors�, its singles and live visuals), electric minds, warm and of course, phonica.

it s been a long, long time since coyu produced an ep full of original tracks for his beloved kitty label. september of 2013 was the last party groovers from him. through all these months our mastercat has released several eps on cocoon recordings, snatch! records, noir music, bedrock records and some edits and original tracks with ramiro lopez and edu imbernon that have been released on suara. finally, we have our mastercat alone with two oustanding cuts. in my mind is a dark techno track with a break that it will literally blow your head up... balls , however, is a very housey and summery cut that will definetely break your hips because of the instantly recognisable vocals and the killer darbuka rhythm. enjoy this is 100% coyu!

for a brief moment hermans are cut free from their shackles and venture out from the black dungeon, dragging xylophones made from kraken bones and drums fashioned out of reptile skins the duo summon a battle chant from deep within. scores of allies join, endlessly banging the same rhythm relentlessly until the clouds draw and the red sun is no longer visible. a basic soul unit appears from the murkiness and descends upon the racket, bringing with him booming thunder and electric lightning, a dark army marching alongside him. the massive beat continues for days, shaking all those that hear it. slowy and steadily, the din subsides, the clouds part and the sun returns as hermans retreat back to the darkness to wait patiently until they are called upon again. zaires is the third of 12 releases from z o d i a c 4 4. one for each sign of the stars and then z o d i a c 4 4 is forever dead and gone. forever

great music reaches further than your ears can register. listening to a recent recording from peder mannerfelt is like listening to a complete work flow. the superb music created inside of peder mannerfelts villa nellcôte.

uno. is back with a stormy release provided by the italian producer d-deck who offers a set of three original tracks. an absolute storming ep in which the producer perfectly blends in his own particular style. dark, powerful and clean, thats as we like. rhythm and untiring bass that we are sure that will make you dance. paride saraceni has reworked one of the original: -walnut- with his trademark production while staying true to the original. enjoy!

013 materializes as a long player titled spectrum prints on machining dreams by myself. a single 12 inch with seven compositions, 3 ambient and 4 proper tunes that dig deep into ones psyche with emotive sounds and highly rhythmic syncopation. recorded with mostly analog gear, so the warmth is present as the sound pallette is completely full of life. in this project i try to cover a full spectrum of waveforms that are printed on vinyl, hence the name spectrum prints.

the 18th installment from aesthetic audio brings together four deep architects to form a collective that methodically articulates a symphony of sublime textures, lush chords and unique musical visions. keith worthy (detroit - u.s.a.), miruga (japan), jose rico (spain), and michael zucker (orlando � u.s.a.) are the unusual suspects, and they are here to remind us that it is okay being labeled as unorthodox � it is okay to move to your own rhythm � and in fact � it is okay to applaud the unusual.

luke slater produced killer techno remix set.

as part of bini & martini, paolo was without doubt one of the most prolific house producers at the turn of the century, touring the globe and lending their remix talents to major dance labels like defected,strictly rhythm, am:pm, emi, universal, sony and many of the worlds biggest pop acts such jamiroquai, kylie minogue, terence trent d arby, murk,armand van helden and many many more. in 2009 paolo teamed up with paul c and the pair have worked tirelessly in the studio and their music has been supported by many of the industrys biggest names.

the new klaxons album on 180 gram double vinyl in gatefold sleeve, cd copy included.

finest deep jazzy house tunes, ltd to 300 copies worldwide, no repress

formed in opposition to the media identity schizophrenia of the present, thought broadcast thrive upon the post-punk tactics of forgery and radical anonymity. *votive zero* is the second release on editions mego from this mysteriously coded american outfit. emerging from the us noise/punk background thought broadcast further trace a unique path with nine carefully considered obfuscations of rhythm and blurred takes on expressionism.

gene hunt is a prolific producer with an un-mistakable sound of his own. and although an originator of the acid house sound from chicago, he certainly didnt stop there. his music has naturally evolved over the years, often incorporating more mature melody and rhythm structures, but always in time with a proper underground style dance track. these tracks are a perfect fit for the direction and vision of the inner shift music label as well, and for this reason we are pleased to present you with planted seeds by gene hunt.

laura jones is a rare specimen, a producer who puts her heart and soul into every production. the few key releases she has made for crosstown rebels, visionquest and leftroom have become instant anthems and shot her into stardom. embrace sees a return to leftroom and to form for laura with new exploration into darker techno underworlds with think over and imagination unreal, illustrating the complexity and breadth of jones as a producer.

1st part of the vinyl release features tracks by fred p, julius steinhoff, axel bomann, matt karmil, strategy, eduardo de la calle, johannes brecht

after a twisted, introduction full of warped vocals and shifting percussion, villain builds into a track designed to kill the rave. dropping into a wall of contorted, metallic bass and vicious drums, minor rain switches things up throughout, maintaining interest - as well as that infectious groove. on the flipside, main core shifts gears with a pulsing, submerged bass driving things forward. combining elements of tribal beats, programmed drums and a stuttering rhythm, main core is a great example of future funk musics ability to put out groundbreaking, forward-thinking music.

nicole has returned to drumcode all guns blazing with her new bittersweet ep. the a-side i know where ive been, is a deep rolling techno machine that uses a constant building percussion loop that eventually explodes into some serious funky signature moudaber techno! bittersweet is a techno belter that uses a hypnotic synth rhythm that will take the listener into another world. the repetitive claps induce a flurry of energy and excitement whilst supported by the crisp highs.

recorded at johns last night at the vagabond nightclub in downtown miami during this years miami music week, live in miami features 37 tracks and nearly 4 hours of the very best underground electronic music, spanning across more than two decades.

on its first release, orioni makes its debut on 12inch with four tracks made in argentina. with jonas kopp, luis ruiz, mental resonance, and matt saderlan. this ep comes packed with four dancefloor weapons: jonas kopp with >mandelbrot<, contributes with a massive pounding rhythm full of atmospheres, with his classic groove based on solid kicks and hypnotic vibes, jonas presents full drum action around the percussion and sequences. for the a2 >triplets< is a track with a catchy 303 bass-line and roland drums programmed by luis ruiz. its acid classic signature comes with the task of bringing back that old school techno sound , whose roots had got lost in time. in the other side, mental resonance: >birth of omega century< has that fresh detroit techno style, and is ready to energize dance-floors with the groove of the 909 and hypnotic synthesizers. at least but not last, matt saderlan with >kids dist days<, destructive, corrosive and distorted letal weapon for acid lovers. no need to check your volume leds, yes, it is that banging. orioni has begun!

der rhythm & blues-fachjournalist lois wilson (mojo, record collector) hat für fantastic voyage tracks aus dem chess katalog aus den genres blues, r&b und rock n roll ausgewählt. die vinyl edition enthält 32 clubtaugliche stücke und einen farbigen einleger. mit dabei sind songs von muddy waters, chuck berry, howlin wolf, bo diddley, john lee hooker, u.v.a.

new music from michael jackson on 180 gram vinyl with download code included.

� shifted resurrects his relay project for our circula sound
� full picture jacket
� full support from both the ocs and avian camps...
shifted resurrects his relay project for our circula sound. textural experimentation and pushed sonics combine with a stark approach to rhythm, delivering an ep that balances his floor focused and more experimental work. full support from both the ocs and avian camps...

following last month�s uncompromising �yearn� ep from j.tijn, pennyroyal continues to invest in techno�s kicks of tomorrow by welcoming myler into our family circle. with releases on fifth wall and apothecary compositions already under his belt, myler powers forward with three hits of medicinal grade club fuel. the saturated drum bump of lead track �gorilla biscuits� dunks hard with its rolling groove and percussive hook, playing out with the bounce of 90�s strictly rhythm counterpointed by fierce snarls and switch up�s that evoke 90s� reinforced. the shortbread edit is for the happy faced warehouse crew, pushing the same driving groove through some toughening acid treatments. �carol vorderman� is the most abrasive of the pack spitting out stressed kicks and crumbling stabs for the won�t leave the venue crew.

after his debut lp event horizon which came out earlier this year exploit shifts to exploring the inner space rather than outer space. melancholic downshift is full of synthesized string sounds and atmospheric arpeggios. the b-side, shift down, uses a similar syncopated rhythm for strings, but eventually developes into a large dancefloor-bomb.

love surrender original and three other takes + two synthetic messages from studio styrka. that is what this vinyl contains. love surrender has a more synthier style than the tracks recently released on bio rhythm.

poolside miami offers a definitive collection of sun drenched beats & blissed out grooves, the ultimate accompaniment to long hot days by the pool. featuring 4 full-length tracks including zimmers sensational remix of moullinexs highly acclaimed to be clear, then delving into a deeper vibe with hot toddys killer rework of rhythm plate feat. frank h. carter iiis not like that.

timely re issue of reeses cult classic just want another chance. one of technos classic basslines that inspired a generation of dnb, garage and dubstep producers. originally released on detroits incognito label, this re issue on kevin saundersons (reese) own kms imprint and has been re mastered for 2014. contains the original, dub and accapella versions plus a whole host of rhythm tracks written by kevin saunderson on the b side for creative djs to play with.

lab.our 04 sees the return of torontos own maxwell church with 3 raw techno cuts. doldruk, faxnews, and geosynchronus orb. when not busy as one of the founders of torontos techno night the deep north, max releases music as a solo artist and as one half of the hermans. doldruks driving rhythm is anchored by percolating synths and ever changing, melodic patterns. faxnews is a dubby stomper with synth stabs and vocal snippets. geosynchronus orb shows us what acid sounds like on saturn

always hard at work unearthing interesting new projects or forgotten old gems, opilec music is now serving up a retrospective compilation of highly esteemed chicago producer jordan fields best work from 1986 - 1991. field has been active now for some thirty years (on labels like rush hour, headphoniq and mo wax) but his best work was arguably done in his first decade or so. now opilec boss i-robots has been given access to a collection of field s early recordings and has selected, compiled & conceived this project himself. it will be presented as a full-length album but will also arrive in a few select ep parts, with this being the first one

rhythm - a movement marked by the regulated succession of strong and weak elements, or of opposite or different conditions. dance music has instantly recognizable patterns of beats built upon a characteristic tempo and measure. please enjoy three spirited and robust rhythmic workouts from fantastic man on this limited edition 12inch.

our friends in nyc follow up last years outrageously good my rules with the eagerly awaited second volume ! yah yah on the a is a totally addictive and louche epic, swathed in psychedelic disco layers, punctuated by vocal snippets and chants, underpinned by a broad bottom end and finished with some swirling synth lines on the flip woman offers us an equally dancefloor friendly workout, a crisp rhythm section powers along with an unrelenting funk low end and an ode to the fairer sex in the vocal dept, all liberally doused in acid punch, of course utterly essential ! as with c.o.m.b.i, keep it cheap and ny edits, you know these won t be around long and are destined to become cult classics

das album von 1984 ist wieder erhätlich! mit dem schwergewichtigen rhythm & sound der roots radics im channel one studio und dem mix von sylvan morris im harry j studio gilt dieser longplayer als einer seiner besten

relating back to the etui records roots of monomood, abstract animal presents the remixes of absolute control that originally appeared on etuiltd 003. who can be more suitable for transforming the heavy chord sounds of the original into a forward pushing floor behemoth than 50 weapons multi talented sound artist benjamin damage? in addition to that monomood took a re-edit of his own track and put a even more dark and industrial feel on it. to close the circle etui records mastermind and dresdens very own insect o. converts the originals four to floor rhythm to a broken beat machine funk monster.

mnenosyne was the personification of memory, daughter of gaia and uranus, wife of zeus and the mother of the muses, goddesses of the arts. also this time an excellent collaboration with an artist for whom i have great esteem tony scott aka edit select. because of the magic of art that unites the whole world, i have had the pleasure of getting to know him personally during an amazing gig in paris in which we began to design a collaboration on some tracks. after our first collaboration survivors of the pulse released on edit selects prologue music lp phlox we decided to continue with another ep of three sick tracks that i have given the names of three muses according to my personal imagination.terpsichore - to the he goddess of dance id offer this track with its controversial rhythm and detailed sensual overtones.euterpe - goddess of music and in our case seen in terms of techno music, a mix of pure energy and imagination and this track i believe has these two features. deep, straight and hypnotic. urania - this track i would like to dedicate to the goddess of astronomy

dial rb+47 for telephones! known for his releases on sex tags ufo and full pupp as well as dapper facial hair, the norwegian berliner graces running back with an island fantasy of his very own. immured in the sands between the beaches of rimini and sant antoni, the ocean called ep evokes the lucid dreams and hazy visions that pale club kids allways had of these places. think vintage irma and calpyso records done in a modern way, or tony humphries in swimming trunks. four tracks, four waves of joy well as rhythm tools and cool spots. barefoot in the head 4ever.

s3a, rhythm&soul, cecil, adepte on slow towns 6th release! four cuts that goes from the sexy garage touch of rhythm&souls say u will, the amazingly organic funk touch of what i dreamt from the parisien golden boy s3a to the aggressive naughty groove of the cecil or the bizarre uptempo beats of hidden treasure from paris, the new comer, adepte.

killer ep of hypnotic late-night techno from the rapidly maturing dark arts imprint. the brooding * point blank* kicks things off, combining twisted low end darkness with eerie orchestral stabs and immense claps � a darkly elegant opening. next up, * panic* is an essential joint, riding in on a tightly-controlled broken rhythm before a unique, string-heavy motif provides the intrigue. side 2 opens with the tensile funk of * downstream* � a sleek, driving dancefloor offering to get lost in, with space-aged atmospherics and bristling percussion sitting astride a tunnelling techno groove. finally the motorik * ricochet* combines submerged dub textures with slinky synth work � a strong closing statement for this towering record. tip! with support from the likes of dvs1, nd_baumecker, answer code request and alex do, dark arts is becoming an essential label.

no frills (dub) plays off a rugged, strippedback rhythm, built around a classic 4/4 foundation, while popping percussion, warbling dub-tinged bass and infectious vocal murmurs meander around the drums